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Paul Bley
Born:
"Since the Montreal-born, long-US resident Bley's 50's debut with Mingus and Blakey, he's worked with more first-rate, wide ranging original musical minds than anyone but Miles..." —Howard Mandel, Downbeat, April 1995 Bley gave violin recitals at age five. By age seven he was studying piano. He went through numerous classical teachers—including one Frenchman that had him play, balancing filled water glasses on the tops of his hands. At age 11 he graduated from the McGill Conservatory—having taken on their musical curriculum in addition to his public school education. Bley, who was known as "Buzzy" in his early adolescence, formed a band and played clubs and summer hotel jobs in the Laurentian Mountains at age 13. Four years later he replaced Oscar Peterson at the Alberta Lounge. Bley founded the Montreal Jazz Workshop and brought Charlie Parker, Sonny Rollins, Brew Moore and Alan Eager to Montreal inorder to perform with them. In 1950 Bley left for New York City. He studied at the Julliard School of Music from 1950-54. While at Julliard, Bley had a band with Jackie MacLean, Donald Byrd, Arthur Taylor, Doug Watkins. In this period he toured with Lester Young, Ben Webster, Roy Eldridge and Bill Harris. He was a frequent visitor at the famed Saturday night sessions at Lenny Tristano's studio. Bley served as president of the Associated Jazz Societies of New York in 1952, which led to Charlie Mingus hiring Bley to conduct his ensemble. Mingus also recorded Bley's debut album, along with himself and Art Blakey, on his label, Debut Records.
Open, to Love
By Paul Bley
Label: ECM Records
Released: 2025
Track listing: Closer; Ida Lupino; Started; Open, To Love; Harlem; Seven; Nothing Ever Was, Anyway
Barbara Bruckmüller Jazz Orchestra, feat. Aruán Ortiz: A Chain of Moments
by Artur Moral
Julio Cortázar's Rayuela (1963), Chris Ware's Building Stories (2012), and Mark Z. Danielewski's House of Leaves (2000) are novels--both written and graphic--that stand out, not just for their literary merit, but also for the various ways readers can engage with them. A similar phenomenon occurs on the listening level with A Chain Of Moments: Suite in ...
The Musings of Matthew Shipp: Black Mystery School Pianists And Other Writings
by Mark Corroto
Black Mystery School Pianists And Other Writings Matthew Shipp93 Pages ISBN: # 978-1-57027-435-0Automedia2025 Whether you own one Matthew Shipp album or 250, his music inevitably raises the question: Where does his artistic vision originate? Understanding any artist is complex, but with someone as innovative as Shipp, deciphering his musical ...
Paul Bley: Open, to Love
by Jack Kenny
Reviewing an album that is already heralded as a masterpiece, the highlight of the work of Paul Bley, is intimidating. The quality of the recording as issued on CD was already magnificent. Would it be enhanced on vinyl, revealing hidden depths? When Bley sat down at the piano in Oslo, he was already the ...
Don Ellis: How Time Passes to Essence Revisited
by Angelo Leonardi
Nelle storie del jazz Don Ellis è ricordato principalmente per l'innovativa big band che guidò per un decennio, dalla metà degli anni sessanta. Questa preziosa riedizione ci rammenta i suoi inizi di carriera, quando esplorava nuove soluzioni a partire dalla tromba: accoppia il suo debutto in quartetto (...How Time Passes...) dell'ottobre 1960 con alcuni brani di ...
Greg Burk / Michel Lambert: Wind Forms
by Mark Corroto
"Music is at its best when it brings the human imagination to light." Pianist Greg Burk wrote these words inside the cover of his 2009 release, Many Worlds (482 Music). Throughout his career, his music has embodied this idea, and Wind Forms is no exception. That earlier release featured a quartet, including drummer Michel ...
Caili O'Doherty, Bill O'Connell, and Keith Tippett
by Jerome Wilson
This program features recent music from Caili O'Doherty, Bill O'Connell, and David Weiss as well as older work from Keith Tippett, Mark Masters, and Paul Bley.Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Toshiko Akiyoshi Jazz Orchestra ...
Dock in Absolute: [Re]Flekt
![Read "Dock in Absolute: [Re]Flekt" reviewed by Brian Morton](https://s3.amazonaws.com/allaboutjazz/coverart/large/7c9de437021a8f91187845967a95dfdf.jpg)
by Brian Morton
I wonder if I'd get away with it? An old friend was famous for his ability to turn out newspaper columns at lightning speed and with no notice, often after a generous lunch that had stretched on until near deadline time. He'd gruffly concede that yes, that's what they paid him for, yank out a few ...
Two Recent Recordings On Ezz-thetics
by John Eyles
In the Hat Hut site which systematically lists all the Ezz-thetics releases to date, the two albums below are completely surrounded by albums of music by now-deceased jazz icons who recorded it decades ago--Paul Bley in 1962, John Coltrane in 1962 too, Albert Ayler in 1964, Cecil Taylor in 1980 and Steve Lacy in 1984. So ...
