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Abdul Wadud
Roman Norfleet, Mama Terra, Abdul Wadud, Magic Carpet & More
by Ludovico Granvassu
The sultry depth of Dominique Fils-Aimé paves the way to a number of projects which merge fun and intensity, and a long-awaited re-release. Happy listening! Playlist Ben Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Dominique Fils-Aimé “Love Will Grow Back" Our Roots Run Deep (Ensoul) 0:16 Host talks 3:44 Magic Carpet “Flow" Broken Compass (FPE) 5:28 Host talks 10:18 Mama Terra “The Summoned" The Summoned (Acid Jazz) 11:14 Roman Norfleet “Cosmic Forces" ...
Continue ReadingThe Boyé Multi-National Crusade For Harmony
by Stefano Merighi
Che trionfo per Julius Hemphill! A dispetto delle poche pagine--o righe--che le recenti storie del jazz dedicano al maestro di Fort Worth, Hemphill emerge da questo cofanetto di inediti come sassofonista-improvvisatore-compositore tra i più profondi della musica afroamericana nei decenni compresi tra gli anni '70 e '90. E questa preziosa edizione non solo torna a far luce su repertori e organici già conosciuti dai cultori, ma porta in superficie una gran mole di musica fresca, sorprendente, che ...
Continue ReadingJulius Hemphill: The Boyé Multi-National Crusade For Harmony
by Mark Corroto
There is something inherently objectionable when a billionaire acquires an artistic masterpiece by say, Leonardo DaVinci or Claude Monet, only to sequester it from public view. You might feel the same about Julius Hemphill's recordings Dogon A.D. (Mbari, 1972) and 'Coon Bid'ness (Arista/Freedom, 1975). Both five star recordings, now out of print, cost a small fortune to acquire. Years ago saxophonist Tim Berne, a disciple of Hemphill, endeavored to rescue the saxophonist's Blue Boyé (Mbari, 1977) by rereleasing it in ...
Continue ReadingMichael Gregory Jackson: Frequency Equilibrium Koan
by Troy Dostert
One of the undersung elder statesmen of the jazz avant-garde, guitarist Michael Gregory Jackson played a vital role in the burgeoning loft scene of the 1970s, where his work with Oliver Lake was especially noteworthy. On albums like Lake's Holding Together (Black Saint, 1976) and Zaki (hatOLOGY, 1979), Jackson brought a deep reservoir of influences, not the least of which was a rock/R&B sensibility that he would later develop in more pop-oriented directions during the 1980s and '90s, a shift ...
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