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Luiz Bonfa
Luiz Bonfa was a Brazilian guitarist and composer who became famous for the soundtracks he wrote to such movies as "Black Orpheus" and "The Gentle Rain." Bonfa was born on October 17, 1922 in Rio de Janeiro. He studied in Rio with Uruguayan classical guitarist Isaias Savio from the age of twelve. Bonfa first gained widespread exposure in Brazil in 1947 when he was featured on Rio's Radio Nacional, then an important showcase for up-and-coming talent. He was a member of the vocal group Quitandinha Serenaders in the late 1940s. Some of his compositions were recorded by Dick Farney in the 1950s. It was through Farney that Bonfa was introduced to Antonio Carlos Jobim and Vinicius de Moraes, collaborating with them on the stage play Orfeu da Conceicao, which several years later gave origin to Marcel Camus' legendary film “Black Orpheus”. Bonfa played acoustic guitar throughout the movie soundtrack, and wrote the two most important songs featured in the film, “Samba de Orfeu” and his most famous composition, “Manha de Carnaval” (of which Carl Sigman later wrote a different set of English lyrics titled “A Day in the Life of a Fool”), which has been among the top ten standards played worldwide, according to The Guinness Book of World Records. Camus' film and Bonfa's collaborations with American jazzmen (he was the first Brazilian artist to be signed by Verve Records and to record with Stan Getz, on the album "Jazz Samba Encore!) did much to bring Brazilian popular music to the attention of the world, and Bonfa became a highly visible ambassador of Brazilian music in the United States beginning with the famous November 1962 Bossa Nova concert at New York's Carnegie Hall. Bonfa also recorded with Quincy Jones, Tony Bennett, George Benson, Caterina Valente and Frank Sinatra, recording several albums in United States and Europe. Elvis Presley sang a Bonfa composition, “Almost in Love”, in the 1968 MGM film “Live a Little, Love a Little”. He wrote soundtracks for 22 movies and recorded over 40 albums, for such labels as Atlantic, Epic, Philips, RCA and Ranwood. Among them, "Introspection" (RCA, 1972, regarded as one of the best solo guitar albums ever made) and "Jacaranda", a fusion masterpiece released in 1973 featuring Eumir Deodato, Stanley Clarke, Idris Muhammad, Airto Moreira, Ray Barretto, John Tropea). Bonfa remained well-connected in the US after returning to Brazil in 1974, and also toured Europe in 1976 and Australia in 1978, where he recorded a great album with Don Burrows, "Bonfa Burrows Brazil", later released in the US by Jazzman Records in 1981.
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Verve's Bossa Nova U.S.A.

by Arnaldo DeSouteiro
Paul Desmond: Samba with Some Barbecue Originally titled Struttin' with Some Barbecue" in 1941, this Satchmo tune lost its Dixie beat and got a bossa groove in the hands of the infallible Don Sebesky. Brazilian drummer Airto Moreira, then a newcomer in the New York jazz scene, provides a fiery propulsion to Paul Desmond's lyrical approach and dry martini" alto sound. Different from the sad results of pseudo-bossa albums by Gene Ammons, Sonny Rollins, and so many others, this is ...
Continue ReadingIthamara Koorax: Love Dance: The Ballad Album

by Chris M. Slawecki
Ithamara Koorax has released several albums in Brazil and Japan, but Love Dance is only the second US album for this star from Rio, the follow-up to her debut Serenade in Blue.
With her unmistakable voice, Koorax sings English, Portuguese, and Spanish love songs composed by such masters as Antonio Carlos Jobim, Luiz Bonfá, Marcos Valle and Ivan Lins, plus songs by Claus Ogerman and Jurgen Friedrich (in German). Her voice manifests this diversity to its advantage: ...
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