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Mario Vavti
The major motivation for me to start a professional career as a musician was the strong need to express myself through music. Immediately after my apprenticeship as a toolmaker and technical drawer, at the age of 21, I matriculated at the local conservatory to start my studies on the trombone. After two years with my teacher Erich Kleinschuster, he suggested to continue my studies in the Netherlands with Bart van Lier. I decided to move to the Netherlands for one year to study with Bart van Lier and Ilja Reijngoud, a former student of Bart. Well, - as always in life, things go different than we plan them. One year became two, two became three and three years became four.
During the years in the Netherlands I had the opportunity to meet, play and study with many outstanding musicians. To name just a few: Toots Thielemans, Philip Harper, Mark Nightingale, Michel Becquet, Ferdinand Povel, Jiggs Whigham, Erik van Lier, Ben van Dijk, Jörgen van Rijen,… Due to personal reasons, in the year 2000 I moved back to Austria, to Graz. I studied one more year with the New York based trombonist and composer Ed Neumeister. Since 2004 im living in Vienna and working as freelance trombonist, composer and arranger.
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Barbara Bruckmüller Jazz Orchestra, feat. Aruán Ortiz: A Chain of Moments
by Artur Moral
Julio Cortázar's Rayuela (1963), Chris Ware's Building Stories (2012), and Mark Z. Danielewski's House of Leaves (2000) are novels--both written and graphic--that stand out, not just for their literary merit, but also for the various ways readers can engage with them. A similar phenomenon occurs on the listening level with A Chain Of Moments: Suite in Five Movements, the ambitious project by jny: Vienna-born pianist, composer and bandleader Barbara Bruckmüller. This was likely not her original intention when, ...
Continue ReadingJim Rotondi: Finesse
by Jack Bowers
Finesse is trumpeter Jim Rotondi's ninth recording as a leader but his first using a full orchestra including strings. The band and string section are from Austria, where Rotondi presently lives, performs, and teaches, and each one is quite good. As for Rotondi, besides playing superb trumpet--open or muted--he wrote every song on the album save for two brief “introductory" pieces by Jakob Helling who was the arranger on every number. As if that many instruments weren't ...
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