Noah Peterson

Noah Peterson is a delightful and emotional saxophonist. His recordings have been broadcastacross the globe and he tours throughout the United States at nightclubs, festivals, schools,community events, private concerts, hospitals, and more. Noah has a stellar reputation as ahard-working, hard-playing musician. He’s been a section leader, sideman, band leader, composer,arranger, producer and business manager for Blues, Funk, Rock, Folk, Gospel, Avant-garde,West African Marimba/mbira, Reggae, Pop, Jazz, zydeco, easy listening, and jam bands.

Noah grew up in Billings, MT as the youngest of four and son of a band director. All of the familyplayed musical instruments although there was never much of an emphasis put on music asanything other than a hobby. Noah's dad had a reputation for having "A bible in one-hand and ashotgun in the other." All of the kids grew up strong. A lot of that was probably due to the roughand tumble attitude of Noah and his brothers and their ability to take their lumps when it cametheir time. Suffice to say country roots are the best roots.

Noah played in the school band and sung choir in elementary and middle school. Noah startedplaying in the school jazz band in middle school. He didn't compete in competitions muchnor did he audition for regional band programs although his siblings did. One brother and hissister frequently did well at competitions and performed in All-state and regional bands. In highschool, scheduling didn't allow for students to take both band and choir. As a result, Noah andseveral of his classmates skipped lunch and left band early to sing in the choir. Noah played inconcert band, jazz band, marching band (at least until he made the varsity football team - captainhis senior year!) and pep band whose rowdy reputation was notorious throughout the state andacknowledged by rival school basketball coaches as an emotional force to be reckoned with.Suffice to say, music, fun, and adventure were synonyms for Noah.

Noah enlisted in the United States Marine Corps in 1991 and was accepted into the MarineMusic Program. He attended boot camp in San Diego and graduated the Armed ForcesSchool of Music in Little Creek, Virginia. Noah fit well into the Marines. He was stationed atthe Marine Corps Air Ground Combat Center in 29 Palms, CA. Serving in a Marine Field Bandwas quite the experience. Performing over 400 shows and logging 60,000 travel miles a year,the Band performed from Yuma, AZ to Portland, OR to Barber's Point, HI. Parades, festivals, fairs,concerts, schools, military ceremonies and everything in between Noah played Alto, Tenor, Bari,Soprano saxophone, and clarinet. Noah was in every band there was: show band, jazz combo,concert band, cut-down band, tenor band...if there was a gig, he was on it. The experiencesand lessons learned would serve him well in the future. The stories are endless, ask him aboutit sometime and you'll tire of the tales long before he runs out of stories from those loved, strange,and frustrating years. But as he says, "The Marine Corps was a great place to get prepared forbeing a professional musician."

Noah was discharged from the Marines in 1994 and went to Portland, OR to study music atMarylhurst University. Noah studied under Sister Anne Cecile Daigle and Sister MagdeleneFautch (both SNJM). His college experiences were mostly uneventful as Marylhurst is asmall, private, liberal arts school focusing on adult education. Never one to sit on his hands hestarted his first professional group, The Noah Peterson Quartet. He soon added a fifth memberand changed the name of the group to Miles Ahead. This group played mostly modern modal jazzcovers and originals.

Noah's first band was a great forum to see how much of his military experiences translatedinto civilian life. Turns out, it was all VERY compatible. Noah scored a few gigs and landeda regular Friday lunch and jazz gig at Irey's Bistro just down the road from the university.This gig lasted a year and was a great place for the band to find its feet and get moving.Noah began getting more gigs for the group and started his own booking agency, PetersonEntertainment. Noah had about 40 acts he represented, although he quickly found outthat being a booking agent isn't a worthwhile pursuit for a full-time student, upstartjazz musician, band-leader, and person balancing three part time jobs.

Noah got his BA in 1998 and led his Miles Ahead for eight years. The band went on twomulti-state tours and Noah's composition "Smoke This" from "Milepost 1" was spun regularlyon KLON's nationally syndicated "Soul Jazz" program with Payal Kumar. Amazingly, the bandrehearsed almost every week for 8 years and had only two personnel changes. During theirrun, they held a Wednesday house band slot at The Ash Street Saloon in the mid-1990s andheld a regular, much-coveted First Thursday gig at the legendary, and now defunct, Jazz de Opusfor a year. The band's success got to a point where some members no longer wanted to playweddings or corporate events and wanted to perform original compositions at concerts and clubs.Noah was happy to oblige his band and started performing weddings and corporate parties as asolo act returning to his original "The Noah Peterson Quartet" name.

During these years, Noah began joining other groups as well: punk, hip-hop, blues...whatever he could fit into his schedule and balanced all of them fairly well with his day-job.Noah met all sorts of people, some which are close friends to this day and some who aren't.Miles Ahead broke up on their last tour in Salt Lake City and performed their last gig at Monk'sHouse of Jazz to a packed house. A fine way to go out.

Noah's first solo CD, The Noah Peterson Quartet Live at Biddy McGraw’s receivedwide spread airplay throughout the US, Canada with some airplay in Europe, Africa, Australiaand Asia. It was "A Downbeat Featured CD" spending 3 months on Downbeat Magazine'swebsite as a featured CD. This band featured Ed Coleman III on drums, Dennis Caiazza on Bass andJay Stapleton on guitar. They performed frequently and enjoyed a small, but steady, following.This is also Noah's first sold out record.

Noah began playing with many other groups, juggling 8 bands at one point as well as occasionalside-man gigs for blues and cover bands. Some groups rarely made it out of the basement,others were almost exclusively performance with little to no rehearsal. Jazz, hip-hop, dancebands, funk, avante-garde, reggae, blues, folk, pop, zydeco, African... the word "no" did not exist.Gigs were played, business was done and records were made.

Noah's groups hit the NW, playing Seattle, Spokane and occasionally inMontana/Idaho/Wyoming/California. His staple of corporate clients keep coming backfor annual performances and he has played numerous festivals: Mountain Artist’s Rendezvous,Jackson Hole, WY, Ste. Chapelle Winery, Caldwell Idaho Summer Concert, Salem Arts Festival,Portland Arts Festival, Oregon Country Fair, Taste of Tacoma, Portland Jazz Festival, VancouverWine & Jazz Festival, DaVinci Days in Corvallis, OR, Blackberry Jam in Lowell, OR, Black SheepFamily Reunion, Willamette Valley Folk Festival, Sand in the City, NW World Reggae Festival,13 Nights on the River, NW Folklife, Oregon City Summer Concert Festival, Estacada SummerConcert Series, West Linn Summer Solstice Celebration, Lake Oswego Concert Series, LakeOswego Summer Splash, Tualatin Summer Concert Series, Enumclaw Concert Series, KentSummer Concerts, Mensch Festival, Portland Parks & Rec Summer Concert Series, WilsonvilleArts Festival, Oregon Zoo World Music Festival, Zimm Fest.

Noah spent 4 years as a DJ and jazz director for KPSU hosting "NW Jazz and More!" He alsospent 3 years producing music and TV videos for Metro-East Community Media under theheading "Portland Culture."

Since then, Noah has been in and out of many groups, organized recordings, started"A Celebration of Poetry in Jazz" concert series, the "NW Loopfest" and the "San AntonioLoopfest" and the "SoCalLoopFest." Noah's interest in looping came about in 2011 as heprepared to leave Portland, OR for parts unknown. He needed a cost effective way to tourthe nation and play gigs. He developed his Solo Sax Sessions as a one-man sax-loopingshow that has become very popular. It's unusual presentation of music and technology isfun, upbeat, unique and quirky enough that many venues love to have for a wide range ofaudiences. Noah's looping show astounds and delight audiences across the country.

Noah has been involved with the American Federation of Musicians since 1994. He servedthree terms on the executive board for Local 99 (Portland, OR) and is a current member ofLocal 23 (San Antonio, TX) Noah helped developed the nationally recognized "Handei" programfor Fools in Paradise and has developed a new program, "Imagine: Music!" for his one manshow, the Solo Sax Sessions. He was also awarded a grant in 2013 for Emmett Wheatfall's"Poetry and the Blues" project by the Regional Arts and Culture Council in Portland, OR.

Noah currently lives in San Antonio, TX and hires out for a variety of occasions. His main groupsare The Noah Peterson Jazz Ensembles, the Solo Sax Sessions, West Kings Highway, La Chichada,and Jean-Pierre and the Zydeco Angels.

Noah also produces live looping concert festivals: The NW LoopFest, the SoCal LoopFest,the Las Vegas LoopFest, the San Antonio LoopFest, and the Austin LoopFest. These events featureinternational, regional, and local performing artists who use looping technology.

Noah's company/record label, Peterson Entertainment, Llc carries some outstanding recordsof bands past and present. His catalog is always expanding and he works with other artiststo develop their business practices.

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