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Ali Farka Toure

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A unique tale of a world respected musician, who deep in his heart considered himself but a humble farmer. Ali Farka Touré was born in 1939 in the village of Kanau on the banks of the River Niger in the north west of Mali. He was his mothers’ tenth son but the first to survive infancy. When Ali was still an infant his father died while serving in the French army, and the family moved south along the river to Niafunké, the village Ali called home for the rest of his life. People make their living by farming, cattle herding and fishing. There is no tradition of music in his family, but he had a calling early on in life, becoming drawn to music by its power
Vieux Farka Toure at Kleinhans Music Hall

by Frank Housh
Vieux Farka Toure Kleinhans Music HallBuffalo, NYApril 27, 2025 A spinning top occasionally wobbles. Our spinning earth does the same thing: it's called the Chandler Wobble." Because of the Chandler Wobble, monsoon rains in the Sahara appear then disappear every 21,000 years. This alternating cycle of Green Sahara" and Sahara Desert ...
Sandman Project: Where Did You Go?

by Chris May
Anyone who has made multiple visits to Goa, where they formed the Goa Afrobeat Band--as Tel Aviv-based guitarist and composer Tal Sandman has done--is self-evidently on the right team. Sandman lives in the Jaffa neighbourhood in southside Tel Aviv, an area in which Jews and Arabs live cheek by jowl, and diverse cultures co-exist, and where, ...
Marco Tiraboschi e il Questionario di Proust

by Paolo Peviani
Chitarrista, si definisce musicista creativo ed eclettico. La sua musica mescola elementi di jazz, classica contemporanea, echi dei Balcani e del mediterraneo, ed ambisce ad una sintesi quanto più possibile personale e comunicativa. Nel suo ultimo album, In a New World, realizzato in compagnia di Giulio Corini al contrabbasso e Daniele Richiedei a violino ...
New Jazz Releases Plus Gregory Goodloe Interview

by Steven Roby
Gregory Goodloe, who derives his influences from George Benson and Wes Montgomery, divides his time between the recording studio and the radio studio, where he presents his own show, Mile High Smooth Jazz, on World Wide Jazz Radio. Playlist Artemis Lights Away From Home" from In Real Time (Blue Note Records) James Brandon Lewis ...
Pino Palladino: The Craftsman from Wales

by Ludovico Granvassu
Refined craftsmanship is in small supply in today's music business, especially in the music business that fills sports arena or large music venues. Pino Palladino belongs to the small guild of refined craftsmen whose membership is reserved to musicians who do not seek the spotlight but pursue beauty through art, because that is what they were ...
Pino Palladino: Eclettismo al Servizio della Musica

by Serena Antinucci
Capita raramente di ascoltare un disco che sprigiona endorfine così benefiche, che ci concede la possibilità di separarci momentaneamente dalla realtà, spingendoci fino al nucleo generativo della musica stessa. Proprio lì dove la composizione prende forma in uno spazio neutro, senza confini, entriamo nel sistema musicale di Notes With Attachments del bassista Pino Palladino e del ...
Les Rencontres AJC 2019

by Henning Bolte
Pan Piper, Dynamo de Banlieues Bleues, Cité de la Musique, Philharmonie de Paris Les Rencontres AJC 2019 Paris December 2-4, 2019 Association Jazzé Croisé (AJC) extended its annual December meeting in Paris to a three-day program with French and Scandinavian showcases and an extensive program of talks and discussions. Here ...
Sandman Project: Royal Family

by Chris May
Guitarist Tal Sandman's raw, groovecentric, transcultural Sandman Project draws a hefty chunk of its provenance from Ethio-jazz. The band's EP Royal Family does not contain enough improvisation to qualify as jazz" however. Further, the Ethio-jazz in the mix, mostly contributed by trumpeter Tal Avraham and bass guitarist Shay Hazan, is less forward than the echoes of ...
Peo Alfonsi e Derek Gripper: chitarra classica, tra musica colta e popolare

by Mario Calvitti
Tra la musica cosiddetta colta" di origine accademica e quella di matrice popolare probabilmente non è mai esistita una linea di separazione netta come molti (soprattutto in ambito classico) vorrebbero far credere. Troppe sono le influenze reciproche esercitate nel corso dei secoli, anche nonostante le diversità dei vari contesti storico-culturali che si sono avvicendati nel tempo. ...