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Jimmy Cobb
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Legendary jazz drummer, Jimmy Cobb, was born in Washington, D.C. on January 20, 1929. A superb, mostly self-taught musician, Jimmy is the elder statesman of all of the incredible Miles Davis bands. Jimmy's inspirational work with Miles, John Coltrane, Cannonball Adderly and Co. spanned 1957 until 1963, and included the masterpiece "Kind of Blue", the most popular jazz recording in history. He also played on "Sketches of Spain", Someday My Prince will Come", "Live at Carnegie Hall, "Live at the Blackhawk", "Porgy and Bess", and many, many other watermark Miles Davis recordings. The Miles recordings and live performances are not the only high points of Jimmy's quiet, but truly outstanding career
LaMP: The Three Of Me Blend Into One Of Us
by Dean Nardi
LaMP's rousing albums have a knack for keeping you listening, whether it is Russ Lawton propelling the trio along through punchy, substantial snare, Ray Paczkowski indulging in the inner point-of-view of melody and harmony on both organ and clavinet, or Scott Metzger inserting reveal after reveal in a twist-laden odyssey of gleeful, darting notes. But there ...
Remembering Dan Morgenstern
by Sanford Josephson
This article previously appeared in Jersey Jazz Magazine. In 1938 when Dan Morgenstern was eight years old, he and his mother fled Nazi-controlled Austria for Copenhagen. Nine years later, they arrived in New York, and Morgenstern was not interested in seeing the Statute of Liberty or the Empire State Building. He just wanted to ...
Jeremy Monteiro Organ Quartet: Live Upon Nassim Hill
by Ian Patterson
Singaporean Jeremy Monteiro is primarily known as a pianist, having played with James Moody, Jimmy Cobb, Carmen Bradford, Charlie Haden and Ernie Watts, no less. But he is also a fine organist, an instrument he taught many moons ago. Monteiro returned to those roots with the trio Organamix, whose energy was captured on the live Kuala ...
Emmet Cohen: Vibe Provider
by Mike Jurkovic
All round shaman, musical advocate, and positive vibe provider, Nigerian-born Michael Olufunmilola (Funmi) Ononaiye (1968-2023) was known and beloved by everyone in the artistic and social circles of Manhattan's music scene. He was an A&R rep at Atlantic Records. He was a DJ, percussionist, and chief programmer at Jazz at Lincoln Center. He had a deep ...
Pernille Bévort: Curious Explorations
by Ian Patterson
A veteran of the Danish jazz scene since the '90s, saxophonist/reeds player and composer Pernille Bévort has built an impressive discography as a leader. With the moveable feast that is Radio Bévort, she has demonstrated the depth and range of her musical palette, marrying jazz and tango on Perfect Organisation (Gateway Music, 2011) with bandoneon player ...
Hendrik Meurkens: The Jazz Meurkengers
by Edward Blanco
When one thinks of the jazz harmonica, two names immediately come to mind, the late great Toots Thielemans and the incomparable Hendrik Meurkens whose new project The Jazz Meurkengers fully captures Meurkens' desire to produce a new and exciting swinging jazz album. While Meurkens learned to play the vibraphone first at the age of sixteen growing ...
Curtis Taylor: Taylor Made
by Jack Bowers
Trumpeter and composer Curtis Taylor's debut album, he writes in the liner notes, “was over twenty years in the making." Ever since he was a teenager, Taylor confesses, he dreamed of recording his music with a group of stellar musicians and calling it Taylor Made. And now he has. The album's cover mirrors ...
Take Five with Pianist Marta Karassawa
by AAJ Staff
Meet Marta Karassawa Marta Karassawa, a Brazilian pianist and arranger, graduated from Berklee College of Music and formed the Marta Karassawa Quintet in 2001, bringing to light the nostalgia of the great jazz quintets of the '40s and '50s. With it, she performed on the stages of various clubs and festivals. Now, completely revamped, she leads ...
Reeds and Deeds: Cookin'
by C. Andrew Hovan
Chances are that if you're reading these notes right now you're more than a bit familiar with the talents of tenor saxophonists Eric Alexander and Grant Stewart and might even have picked up Wailin' (Criss 1258), their first effort together leading a quintet billed as Reeds and Deeds. As such, it would probably be redundant to ...
