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Johnny Dodds
Born:
From the early days of the brass bands in New Orleans, to the hot jazz of the Roaring Twenties in Chicago, a key figure in the musical progression was the fluid toned, amazingly versatile clarinetist, Johnny Dodds. . Born on April 12, 1892, in New Orleans, by his early teens his father bought him his first clarinet. He was self taught but did take lessons from Lorenzo Tio Sr, a well respected musician in the city. He took a more serious interest in the instrument at around age seventeen, playing with local ensembles as the Eagle Band, and the legendary Tuxedo Band, led by “Papa Celestin during the early formative years of jazz
The Legacy of Lillian Hardin Armstrong
by Karl Ackermann
In 2020, I published A Map of Jazz: Crossroads of Music and Human Rights (WS Publishing), a book that looks at the culture of jazz on a timeline with cultures of the world. At more than 500 pages, the book is incomplete by necessity; there is no well-marked path, and the history is sometimes nebulous. However, ...
About Louis Armstrong and His Hot Five
Instrument: Band / ensemble / orchestra
Results for pages tagged "Johnny Dodds"...
Louis Armstrong and His Hot Five
Louis Armstrong and His Hot Five were a pioneering jazz ensemble formed in 1925, often regarded as one of the most influential groups in the history of jazz. The band, led by Armstrong on cornet, featured notable musicians such as clarinetist Johnny Dodds, trombonist Kid Ory, and pianist Lil Hardin. The Hot Five's recordings, including iconic tracks like "West End Blues" and "Potato Head Blues," played a crucial role in shaping the development of early jazz, particularly in terms of improvisation, solo performance, and the role of the individual voices within the band.
2021: The Year in Jazz
by Ken Franckling
The jazz world continued grappling and adjusting in year two of the COVID-19 pandemic. International Jazz Day again went virtual for the most part. Singer Tony Bennett put the final stamp on his touring--and likely recording--career after his Alzheimer's disclosure. Trumpeter Irvin Mayfield was headed to federal prison. The National Endowment for the Arts welcomed four ...
Susie Meissner: I Wish I Knew
by C. Michael Bailey
Over the past decade and three previous recordings, Philadelphia-based vocalist Susie Meissner has crafted an intelligently conceived and thoughtfully paced survey of the Great American Songbook. Meissner's considerations of the standard jazz repertoire, in concert with pianist John Shaddy's sturdy arrangements and educated performance manner, have emerged, evolving from chaste and reverent beginnings, into rich and ...
Women in Jazz, Part 1: Early Innovators
by Karl Ackermann
"Lil Hardin [Armstrong]...often imagined herself standing...at the bottom of a ladder, holding it steady for Louis as he rose to stardom." (Stanford Archive of Recorded Sound, 2012). “The all-female band is an anomaly in music, one that must constantly prove itself as a 'band,' and not just 'girls playing music together.'" (Mary Ann Clawson, 1999). Everything ...
Chicago Jazz Roots (1922 - 1929)
by Russell Perry
In the last hour we listened to the music of the first great jazz composer, Jelly Roll Morton, and Sidney Bechet, the only soloist in early jazz to seriously challenge Louis Armstrong. In addition to Joe “King" Oliver, Jelly Roll Morton and Louis Armstrong, the Chicago scene bristled with black and white bands, initially ...
Culture Clubs: A History of the U.S. Jazz Clubs, Part I: New Orleans and Chicago
by Karl Ackermann
Marching bands, ragtime music, and the blues, were all well-entrenched and spreading up the Mississippi River Valley from New Orleans at the beginning of the twentieth century. Dixieland was the popular music staple and with the all-white Original Dixieland Jass Band recording the first jazz side, “Livery Stable Blues," in 1917, an original musical language was ...
Mort Weiss: Mort Weiss is a Jazz Reality Show
by C. Michael Bailey
The informal definition of a Character is an “odd, eccentric, or unusual person." That is a bit disappointing in that “odd, eccentric, and unusual" more often than not may be pejorative. I prefer a “unique, memorable, or exceptional person." That said, it takes all six adjectives to adequately describe clarinetist Mort Weiss, who with this recording ...
This Week On Riverwalk Jazz: Clarinet Marmalade
This week on Riverwalk Jazz The Jim Cullum Jazz Band offers an exploration of great pre-WWII voices of jazz clarinet with the help of prominent contemporary exponents of the “old school." Evan Christopher, Bob Wilber, Kenny Davern and Ken Peplowski perform with the Band and talk about their mentors and influences. The program is distributed in ...
