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Joseph Jarman
Born:
While attending high school in Chicago in the early '50s, Jarman took up the drums under the tutelage of the famous music teacher Walter Dyett. He switched to saxophone and clarinet while in the army. Upon his discharge in 1958, he returned to Chicago. There, he joined pianist Muhal Richard Abrams' Experimental Band (formed in 1961), alongside his future Art Ensemble compatriots Malachi Favors and Mitchell. Jarman played in a hard bop sextet with Mitchell, and in 1965, he became one of the first members of the Association for the Advancement of Creative Musicians. Starting around 1967, Jarman was one of the first saxophonists to perform solo, a tactic also embraced by other members of the AACM, notably Anthony Braxton
Marilyn Crispell: Fearless, Deeply Sensitive and Shaping the Moment
by Dean Nardi
As Marilyn Crispell talked about her multitude of recent recordings, either solo or with this trio or that quartet, she mentioned needing to pack her bags before going out on tour. She has lived in Woodstock, New York since 1977 and is comfortable there. “When I'm at home, not out recording, I look out in the ...
Artifacts Trio At Black Box
by Ian Patterson
Artifacts Trio Black Box jny:Belfast, N. Ireland October 16, 2024 Initially penciled in for a spring date that never materialized, Artifacts Trio finally made its Belfast bow five months later. This was the only Irish date for flautist Nicole Mitchell, cellist Tomeka Reid and drummer Mike Reid on their European ...
Yuhan Su, Stirrup, Arch Trio & Zenophilia
by Maurice Hogue
A mixed bag of music with some interesting new albums: Taiwan/New York vibraphonist Yuhan Su dazzles with her release Liberated Gesture; piano threesomes from the Arch Trio from Italy, Wadji Riahi from Tunisia and Omawi from The Netherlands; Stirrup with Fred Longberg--Holm cello, Nick Macri bass & Charles Rumback drums, another trio of pianist John Blum, ...
Hamiet Bluiett, A Coltrane Interview, Natural Info. Society, Veronica Swift
by David Brown
Welcome friends and neighbors to The Jazz Continuum. Old, new, in, out... wherever the music takes us. Each week, we will explore the elements of jazz from a historical perspective. This week, let's celebrate the birth anniversary of Hamiet Bluiett; check out John Coltrane ending his time with Miles in an interview from Stockholm 1960; and ...
Art Ensemble Of Chicago: The Sixth Decade: From Paris to Paris
by Giuseppe Segala
Parigi è città fatale per l'Art Ensemble of Chicago: nel 1969 fu traguardo del prodigio artistico e umano preparato negli anni precedenti da Roscoe Mitchell, Malachi Favors e Joseph Jarman, che avevano incrociato le proprie esperienze dapprima al Wilson Junior College di Chicago, nel 1961, poi nel lavoro con la Experimental Band di Muhal Richard Abrams, ...
Leonard E. Jones: Taking Control Of Destiny
by Barbara Ina Frenz
Bassist and photographer Leonard E. Jones laid the foundation of his musical and artistic ideas as an original member of the Association for the Advancement of Creative Musicians. The AACM ranks as the most well-known and influential organization of the 1960s under African American leadership that created American experimental music through challenging “racialized limitations on venues ...
Welcome To Adventure
by Maurice Hogue
There are indeed some adventuresome artists in this edition of One Man's Jazz, although I pilfered the title for the show from the title of the Welcome To Adventure Vol. 2 by Daniel Carter, Matthew Shipp, William Parker & Gérald Cleaver. So far, their first volume has been the best-selling album in the history of 577 ...
Solos & Duets: Dave Rimpus, Sylvie Courvoisier & Mary Halvorson, Mingus and more
by David Brown
In a duo performance, musicians become instrumental equals. The interchange of ideas and flow of music is like a conversation. And for the artist who performs solo, there is no place to hide. Today, we present a smorgasbord of solo and duo performances from Coleman Hawkins to Colin Stetson, Sylvie Courvoisier & Mary Halvorson to Duke ...
Artifacts: Tomeka Reid, Nicole Mitchell, Mike Reed: …and then there’s this
by John Sharpe
For the follow up to the excellent debut Artifacts (482 Music, 2015), the stellar threesome of cellist Tomeka Reid, flautist Nicole Mitchell, and drummer Mike Reed waxes another outstanding album, but one which differs in two respects. Firstly this time out the emphasis is on the compositional smarts of the crew rather than a celebration of ...
