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Kid Ory
Born:
Edward Ory was born in LaPlace, Louisiana, on Christmas Day 1886. As a child, he began to make music on homemade instruments. He soon was playing banjo, then switched to trombone. Ory went on to introduce and develop the “tailgate” style, in which the trombone plays a rhythmic line underneath the trumpets and cornets. By 1912 he was leading one of the best-known bands in New Orleans. Among its members at various times were several musicians who later were highly influential in jazz development, including Sidney Bechet, Johnny Dodds, Jimmy Noone, King Oliver, and Louis Armstrong
Altin Sencalar: Unleashed
by C. Andrew Hovan
Often overshadowed by other solo instruments, the trombone boasts a rich history in jazz--one so vast it could fill volumes. New Orleans, the birthplace of jazz, also gave rise to Kid Ory, a pioneer of the “tailgate" style of trombone playing. In the early 1900s, bandleaders often promoted their shows by parading through town on horse-drawn ...
The Legacy of Lillian Hardin Armstrong
by Karl Ackermann
In 2020, I published A Map of Jazz: Crossroads of Music and Human Rights (WS Publishing), a book that looks at the culture of jazz on a timeline with cultures of the world. At more than 500 pages, the book is incomplete by necessity; there is no well-marked path, and the history is sometimes nebulous. However, ...
About Louis Armstrong and His Hot Five
Instrument: Band / ensemble / orchestra
Results for pages tagged "Kid Ory"...
Louis Armstrong and His Hot Five
Louis Armstrong and His Hot Five were a pioneering jazz ensemble formed in 1925, often regarded as one of the most influential groups in the history of jazz. The band, led by Armstrong on cornet, featured notable musicians such as clarinetist Johnny Dodds, trombonist Kid Ory, and pianist Lil Hardin. The Hot Five's recordings, including iconic tracks like "West End Blues" and "Potato Head Blues," played a crucial role in shaping the development of early jazz, particularly in terms of improvisation, solo performance, and the role of the individual voices within the band.
The New Wonders: Steppin' Out
by Jack Bowers
Although the ten songs performed by cornetist Mike Davis' Brooklyn-based septet, The New Wonders, on the group's second album, Steppin' Out, are well removed from new, most have stood the test of time and remained popular with a small yet devoted number of trad jazz enthusiasts, some for a century or more. The New Wonders carry ...
Wycliffe Gordon: What You Dealin' With?
by C. Andrew Hovan
Privy to the entire history of jazz trombone via the technological age in which we live, Wycliffe Gordon seems to have utilized this information in such a way that his own playing displays elements from various periods and a technical competence that is indeed remarkable. “I was most familiar, at first, with guys who played with ...
Steve Davis: Systems Blue
by C. Andrew Hovan
From Kid Ory to Roswell Rudd, the role of the trombone has changed dramatically over the brief span of jazz history, as we know it. Whether it be keeping a beat via the style of “tailgating," exploring a multitude of textural possibilities through the challenges of the avant-garde, or working somewhere in that middle ground that ...
Jazz À La Creole: French Creole Music and the Birth of Jazz
by Richard J Salvucci
Jazz À La Creole: French Creole Music and the Birth of Jazz Caroline Vézina 236 Pages ISBN: #9781496842428 University Press of Mississippi 2022 The term “creole" is one of those protean things whose meaning hinges on the context in which it is used. At the very least, it ...
2022: The Year in Jazz
by Ken Franckling
Current events impacted the jazz world in significant ways throughout 2022. In its third year, the coronavirus pandemic continued to lurk in some settings, while others recovered in robust fashion. Russia's war on Ukraine was felt by musicians and triggered an outpouring of support for its victims. Initiatives to ensure greater equity in jazz advanced. The ...
Brian Auger's Revolution In Jazz
by Jim Santella
This interview first appeared at All About Jazz in November 2000. Born and raised in jny: London, Brian Auger came up through those crazy years in music. The 1960s were all about change. Things were being done in jazz that hadn't been considered earlier. Lifestyles and values were changing too, and that was affecting ...
