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Musician

Pat Metheny

Born:

Pat Metheny was born in Kansas City on August 12, 1954 into a musical family. Starting on trumpet at the age of 8, Metheny switched to guitar at age 12. By the age of 15, he was working regularly with the best jazz musicians in Kansas City, receiving valuable on-the-bandstand experience at an unusually young age. Metheny first burst onto the international jazz scene in 1974. Over the course of his three-year stint with vibraphone great Gary Burton, the young Missouri native already displayed his soon-to-become trademarked playing style, which blended the loose and flexible articulation customarily reserved for horn players with an advanced rhythmic and harmonic sensibility - a way of playing and improvising that was modern in conception but grounded deeply in the jazz tradition of melody, swing, and the blues. With the release of his first album, Bright Size Life (1975), he reinvented the traditional "jazz guitar" sound for a new generation of players. Throughout his career, Pat Metheny has continued to re-define the genre by utilizing new technology and constantly working to evolve the improvisational and sonic potential of his instrument. METHENY'S versatility is almost nearly without peer on any instrument. Over the years, he has performed with artists as diverse as Steve Reich to Ornette Coleman to Herbie Hancock to Jim Hall to Milton Nascimento to David Bowie.  Metheny's body of work includes compositions for solo guitar, small ensembles, electric and acoustic instruments, large orchestras, and ballet pieces, with settings ranging from modern jazz to rock to classical.

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Article: Album Review

Claire Cope: Every Journey

Read "Every Journey" reviewed by Dan McClenaghan


Consider British pianist, composer/ bandleader Claire Cope. She debuted as a fully formed artist via her excellent septet set Small World (Self Produced, 2020), a deftly crafted classical/jazz hybrid. On her second recording, the album at hand, Every Journey, she employs an eleven-piece ensemble, building on the atmosphere of her debut, painting translucent layerings and weaving ...

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Article: Album Review

Ester Andujar: Inner Songs

Read "Inner Songs" reviewed by Anastasia Bogomolets


Ester Andújar Rico's album Inner Songs is a mesmerizing journey through language, culture, and emotion. Andújar effortlessly transitions between Spanish, Valencian, Portuguese, and English, making each track feel like an intimate conversation across borders. Even if you are not fluent in all of the languages, the album provokes introspection on how language modifies the listener's perception ...

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Article: Live Review

Brad Mehldau Trio Groovin' High at SFJAZZ

Read "Brad Mehldau Trio Groovin' High at SFJAZZ" reviewed by Roy Strassman


Brad Mehldau Trio SFJAZZ Center San Francisco, CA April 3, 2025 SFJAZZ Center honored the Bay Area's jazz fans with the Brad Mehldau-Christian McBride-Marcus Gilmore trio, in town for a four-night run from April 3-6, 2025. Opening night was a real treat for the ear, eye, and soul. Casually dressed, the ...

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Article: Live Review

Denver Jazz Fest 2025

Read "Denver Jazz Fest 2025" reviewed by Geoff Anderson


Denver Jazz Fest Denver and Boulder, CO April 3-6, 2025 The inaugural Denver Jazz Fest unfurled over four days from April 3 to 6, 2025. The sprawling festival presented 32 concerts at 12 different venues throughout the Denver and Boulder area. The timing was meant to coincide with Jazz Appreciation Month as ...

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Article: Take Five With...

Take Five with Singer, Guitarist and Pianist Martina Fiserova

Read "Take Five with Singer, Guitarist and Pianist Martina Fiserova" reviewed by AAJ Staff


Meet Martina Fiserova Martina Fišerová is a New York-based singer, guitarist, songwriter and lyricist. Born and raised in Bohemia, Czech Republic, she graduated as a vocalist from the jazz-focused Jaroslav Ježek College, in addition to studying anthroposophical music therapy. She has performed alongside a number of prominent artists at music festivals and venues throughout Europe, as ...

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Article: Album Review

Ronny Wiesauer: Figures and Shapes

Read "Figures and Shapes" reviewed by Geno Thackara


Amidst his occasional outings with combinations of other players, Ronny Wiesauer keeps drifting back to a personal niche that is reliably comfortable and comforting. When settled in alone with a guitar, he spins pastoral meditations with the easy-flowing smoothness of a daydream--this is contemplative territory sometimes reminiscent of Ralph Towner or Pat Metheny, though without making ...

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Article: In Pictures

Trion In Flight: A Celebration Of Freedom and Form for the Jazz Gallery’s 30th Anniversary

Read "Trion In Flight: A Celebration Of Freedom and Form for the Jazz Gallery’s 30th Anniversary" reviewed by Dave Kaufman


The Jazz Gallery is celebrating its 30th anniversary this year, and the programming has been nothing short of remarkable. One of jny: New York City's most hospitable and artist-friendly venues, the Gallery offers an ideal listening experience: comfortable seating, excellent sound and sightlines, and a genuinely welcoming vibe--including for photographers, which is much appreciated.

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Article: Album Review

Jarod Bufe: Brighter Days

Read "Brighter Days" reviewed by Dan McClenaghan


Making a living as jazz artist is a challenge. For every jazz megastar who can support his or herself with their music, dozens rely on day jobs and remain relative unknowns, even while making great music. Players like saxophonist Buck Hill, who did a forty-year stint working for the Post Office while releasing eleven excellent recordings--including ...

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Article: Multiple Reviews

Yosef Gutman Levitt's Joy in Collaboration

Read "Yosef Gutman Levitt's Joy in Collaboration" reviewed by Geno Thackara


Maybe Yosef Gutman Levitt just never needs to sleep. Amidst the demands of life and family, the worldly bassist somehow consistently manages to produce three or four albums a year, largely of original material, and each distinct enough that it never seems to be coasting on a formula. It also helps to have a globe-spanning cast ...


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